Wednesday, 28 May 2014


Let me begin by assuring all weak-hearted souls that this piece is not about the movie.

I am not sure what qualifies one as a feminist, but I believe that truth, however bitter, should be spoken and even uncomfortable questions need to be asked. This is about one of such questions - Why do married people (mostly women) need to wear some kind of sign indicating marital status? I will speak only in the Indian context, as social dynamics and values are a little different in other countries.

There is no doubt that a woman looks beautiful in her wedding finery, jewels and makeup. The red dot on her forehead, the bangles, anklets, toe rings and nose pins. The rituals also invoke a relationship for seven births, and are made complete by tying a sacred thread (thaali/mangalsutra) around the bride's neck in some communities, or by applying sindoor (vermilion) to the parting in her hair. Rings are also exchanged between the bride and the groom. While he may choose to excuse himself from wearing the ring claiming discomfort or simply personal preference, that would be blasphemy on the lady's part. For one, she would get chastised by her mother/ mother-in-law and other females relatives for not taking the signs seriously - "It will bring harm to your spouse if you do not apply sindoor/ wear mangalsutra. For most of us it is taken for granted that we wear these symbols of marital status. Obviously these are very old customs and I share Wikipedia’s take on the topics.

Quoting from Wikipedia page on Vermilion and Mangalsutra :
"The wiping off of the sindoor is very significant for a widow. There are many rituals associated with this practice. The most common being the mother-in-law or older sister-in-law wiping off the sindoor when the woman becomes a widow. The widow will break her bangles and remove her bindi as well. Many Hindu women will remove their nose ring and toe rings as well. The parting of hair is symbolic of river of red blood full of life. When the sindoor is removed then the river becomes barren, dry and empty. This custom is prevalent in rural areas and is followed by all castes and social ranks."

"According to Hindu cultural ethos, the mangala sutra symbolizes the inseparable bond between a husband and a wife. During the wedding ceremonies in southern parts of India, the bridegroom ties the mangala sutra to the neck of the bride uttering, “May you live long by wearing this sacred mangal sutra, the reason of my life”. Married women are led to wear a mangala sutra throughout their life as it is believed that the practice enhances the well-being of her husband and family. It is also believed that the mangala sutra protects the marriage from any evil. Three knots symbolize three different aspects of a married woman - the first knot represents her obedience to her husband, the second to his parents and the third represents her respect for God."

Most of us must have seen the movie Dor, where the young and vibrant Ayesha Takia is asked to wear indigo garbs as mandated by custom when she loses her husband, and made to lead an austere life, which she tries to forget from time to time by flouting some rules and listening to music, which she used to enjoy when her spouse was alive. For a man who is a widower, there are no such rules.

I am not opposed to these signs, neither am I a stickler for them. I follow what I like and discard what I don't. I just think that no well-meaning spouse ever wishes that any harm should come to the other, whether they wear their wedding ring or not. I just feel that this should not be an imposition but left for the individual to decide. And it also should not be a scale to judge someone's character. Just because one does not wear these talismans does not mean they consider their marriage unimportant. One may not be fond of jewelry; vermilion may cause an allergy to others. 

Many malpractices like Sati have resulted in misery of Indian women for generations. Widows banished to Varanasi by their families recently played Holi for the first time in their lives as color was forbidden for them; they could not even eat to their hearts' content once they had lost their husband and caregiver. Even the West is not free from rampant incidents of witch-hunting in ancient days. These illogical rituals are now less prevalent, although we do get to hear of isolated incidents.

To conclude, women have been meted out with injustice and unfair treatment from times immemorial. With our progressive outlook and educated family backgrounds, we may want to look back at traditions we follow blindly and allow mature people the freedom to choose what is best for them.

Friday, 16 May 2014

Shillong - My Home Forever

 It pains me like the loss of a dear one, as if someone left without an answer, never to come back again.I have traveled to many places, seen many beautiful towns, but that longing doesn't seem to leave me.My family is leaving Shillong, my hometown, this month, and even though I haven't lived there for the past 13 years,it has been a part of my life and conversation would always come back to it, like an old lover about whom I cannot stop speaking.
  What is it about the place that mesmerizes me so, and holds me back like a toddler tugging on to its mother's dress.Is being born there the only reason? - No, its got to be more.Of course everyone shares a special bond with their birthplace, but Shillong exudes much more warmth, so much that even those who lived there for a couple of years have fallen prey to its charms.And believe me it is true love, for even though the youthfulness and beauty of the city have long faded,and in its place the concrete and more botoxed facade is visible now, in the end, it is always more about the attitude than the looks.
  I am still not used to crowds, pollution and the busy life of the metropolis, I miss walking to school, the market and everywhere else.I miss beautiful flowers and incessant rains, when I walked to school in slippers and carried dry shoes in my schoolbag.I miss eating berries in spring and living without a fan in my house.I miss the wooden buses, the Chapel in every school,the rock music playing from neighbors' house on weekends, the community cleaning drives and the quintessential chicken chow.I miss the pine cones lying on the hill slopes,eating oranges sitting in the winter sun,the unique fruits and vegetables found only in hills.I miss wooden floors in my home,the tiny springs jutting out from rocks and the green moss on the corners of stairs.   Hills have a character of their own, and the people are different.Although it would be lying to deny that we did not face any tough times due to communal tension, curfews and the like,in the end there is a reason behind everything, a long history of exploitation.No country or city is averse to that.But I'd rather forget that.What I cannot forget is travelling the winding roads from Guwahati waiting for that cool fresh air to hit me on reaching Barapani.Of the surprise of seeing multiple new shops jutting out, brands pervading my tiny city, bamboo crafts interspersed with hip-hop casuals at Glory's Plaza.Those tweed clad ladies, and lads in leather jackets,those warm smiles emanating from kwai(betel) stained lips.Steaming momos, and chilly winds.
 What I have written may not make much sense to those who have never been to Shillong, but for those who know - I have never known (read loved) a city better, and never will.